Marsha Ouimette

I choose to work in clay as it provides me with the ability to create both realistic and whimsical figures in three dimensions. The difference between the two may be as simple as the tilt of the head, position of the eyes, facial expression, or something much more dramatic. So, when I do get deeply involved with a piece I may even carry on a personal conversation with it, much to the consternation of my friends. Once the piece is created the next question is to glaze or paint the patina. I’m always looking for new ways or suggestions to apply the most enhancing finish for that specific piece. Most recently my efforts are focused on social issues and people of national or international interest. I love to have the curious viewer think about my work and what it might mean to them.

A sculpture of a bald person with closed eyes and detailed tattoos on their chest and shoulders.
A ceramic or plaster bust of a bald man with blue eyes against a black background.
Sculpted blonde head with detailed features on black base with small objects.
Carved wooden bust of a woman wearing a headscarf and necklace.
A bronze bust sculpture of a person with a serene expression.
A realistic bust sculpture of a bald figure with a sun tattoo on the forehead.

Originally I was an abstract oil painter. Intuitively I would add more paint, movement, shape and texture to the work. As the piece developed, the color would bring me into the painting. My work was emotionally expressive, pressing my feelings out onto the canvas. Now, drawing with pastels my work is more about deliberate choices. My painting compositions reflect my stories about travel, love and family. My inspiration is derived from mother nature, learning and exploring the world outside myself as well as my internal journey of self-reflection.

For further information, visit Beverly’s website: WWW.BEVERLYASMITH.COM